Thursday, 24 October 2013

Genre Investigation - The Conjuring


As part of my research into supernatural horror films, I have investigated the conventions used in the sub-genre. Below, I have carried out my initial research by first exploring "The Conjuring". 

Common Convention In Supernatural Horrors:
  • Usually a family
  • Main setting is in the family's house
  • Certain family members become victims of possession
  • Antagonist usually has supernatural powers
  • Elements of possession and demonic movement
  • Ghosts, demons
  • Suspense music, non-diegetic sound
  • Parallel sound to match and define the visual intensity
  • Religious elements
Regular family just looking for a fresh start - Medium close up depicts that they are a close family.
The two shot denotes a religious symbol.
Ghost like characters in the film signify the genre. They tend to make direct addresses to horrify the audience.
Main setting - a house. The establishing shot connotes a daunting vibe.

Use Of Sound, “Hide And Clap” Scene:


  • Scene is introduced with non-diegetic, eerie music. The music is parallel. It creates suspense.
  •  Non-diegetic, piano low note sound mirrors the woman’s final fall.
  • On-screen diegetic sound of ball bouncing: synchronous to the movement. 
  • Off-screen diegetic sound of woman screaming and breathing  build an intense atmosphere.
  • We hear dialogue of “Wanna play clap?”. Sound is asynchronous. Raises questions within the audience.
  • On-screen diegetic clap is sudden. This fulfils audience pleasures.
  • Non-diegetic chiming sound contributes to the fright.
Sound Continued, “Wardrobe Scene"


  • Off-screen diegetic thumping sound creates an enigma.
  • Non-diegetic music is rather daunting, parallel to the scene. It connotes something actually being there.
  • The sound effectively reflects the girl getting closer.
  • Non-diegetic breathing sound is effective, as it signifies being woken up.
  • Off-screen diegetic sound of hangers creates realism.
  • On-screen diegetic sound of the roar along with the non-diegetic sound, create shock. They also fulfil audience pleasures 




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